Katerina Clark charts interwar efforts by Soviet, European, and Asian leftist writers to create a Eurasian commons: a single cultural space that would overcome national, cultural, and linguistic differences in the name of an anticapitalist, anti-imperialist, and later antifascist aesthetic. At the heart of this story stands the literary arm of the Communist International, or Co...(展开全部)

Our experience of objects (and consequently our theorizing about them) is very rich. We perceive objects as possessing individuation conditions. They appear to have boundaries in space and time, for example, and they appear to move independently of a background of other objects or a landscape. In Ontology Without Boundaries Jody Azzouni undertakes an analysis of our concept of ...(展开全部)

Our experience of objects (and consequently our theorizing about them) is very rich. We perceive objects as possessing individuation conditions. They appear to have boundaries in space and time, for example, and they appear to move independently of a background of other objects or a landscape. In Ontology Without Boundaries Jody Azzouni undertakes an analysis of our concept of ...(展开全部)

Spectacular works of art have recently been excavated in Filippovka, Russia. They were created from about the fifth to the fourth century B.C. by the nomadic people who lived on the steppes of the southern Ural Mountain region. The objects include wooden, deerlike creatures overlaid with sheets of gold and silver, as well as gold attachments, with representations of animals, fo...(展开全部)

The Internet revolution has come. Some say it has gone. In The Future of Ideas , Lawrence Lessig explains how the revolution has produced a counterrevolution of potentially devastating power and effect. Creativity once flourished because the Net protected a commons on which widest range of innovators could experiment. But now, manipulating the law for their own purposes, corpo...(展开全部)

An internationally acclaimed expert explains why Chinese-style architecture has remained so consistent for two thousand years, no matter where it is built. For the last two millennia, an overwhelming number of Chinese buildings have been elevated on platforms, supported by pillars, and covered by ceramic-tile roofs. Less obvious features, like the brackets connecting the pillar...(展开全部)

An internationally acclaimed expert explains why Chinese-style architecture has remained so consistent for two thousand years, no matter where it is built. For the last two millennia, an overwhelming number of Chinese buildings have been elevated on platforms, supported by pillars, and covered by ceramic-tile roofs. Less obvious features, like the brackets connecting the pillar...(展开全部)

马库斯·沃尔夫（德语：Markus Johannes "Mischa" Wolf、1923年1月19日－2006年11月9日）是德意志民主共和国国家安全部（简称史塔西）对外情报局（Hauptverwaltung Aufklärung）局长。沃尔夫在史塔西是仅次于国家安全部部长的第二号人物，他在史塔西服务34年，其中有26年的时间，西方情报单位完全没有沃尔夫的档案照，仅知他的代号“米夏（Mischa）”，因此得到“没有脸的人”的称号。沃尔夫的神秘难以捉摸成为后世许多小说的题材。许多专家认为他是冷战期间最有影响力的特务首脑之一。

Hugo and Nebula Award winner Miles Vorkosigan in all his guises: prodigal son, back-country judge, lover, spy, diplomat (not his strong suit), strategist, scapegoat, mercenary commander, and—always—hero. This volume contains three novellas: The mountains of mourning, Labyrinth, and “The borders of infinity”; in addition to a story framing all three into a plot to court-martial ...(展开全部)